I was up all night that night, drinkin' and druggin', but it was all worth it. The next morning I had birthed a song that would make me the most famous person on the face of this place. It spoke of love and suffering, of relationships, of rolling naked in a pile of Eternity, Inc. stock certificates with the one you love. Things like that. This song was something everyone could relate to in their own lives. "Ooooh baybay. Mmmm. Yeah. I really want/your love." The lyrics were profound, deconstructed, poignant, alive with a primitive meaning that eluded even me, that harked back to the origins of time and space, I'll be honest, being so great that they took on a life of their own. The words just came to me, too, like I was possessed, almost like someone else was guiding my thoughts, some force, something else, a ghost, or a God, Buddha, or... what's that other one, the lady with a whole bunch of breasts? Right. Movin' my hand along the keyboard. "That's the way I like it/do it to me like that, uh-huh/ again and again." The song speaks of human joy and suffering through the ages, of drama and bittersweet irony, of that painful aching one gets in that special place for the one one one one loves. Poetry. "Baybeeee." Know what I mean? "Shake it but don't break it. I wanna hold that thang tight and bounce it up and down. Mmm-hhuh. Like that. Mmm-hhuh." Words that faithfully describe longing and frustration, melancholy; that seep "deep inside of you, baybay, doin' you like you like it, yow!" The stations picked it up right away. Word-of-party made it spread like a rash among young people, college types, 'cause they know what's good. They listened and shook their booties together to the rhythm. "That's the right thang, baybay, uh-huh, move it like that fo' me." People couldn't get enough of it. It had this sort of bohemian, existentialist, New Latin Hump feel to it that even very young children could pick up on. Philosophical, know what I mean? After the chocolate cereal offer aired, even toddlers were soon to be spotted everywhere walking around singing "move it up and down, uh! up and down and up and down on me." They used it on sneaker ads, pizza jingles, to open news broadcasts, public television shows about nature, presidential debates... "Tell me, oooh baybay, is this love long long long enough for you?" It was so... catchy, so... melodious, so classy. It was an instant classic. A week after the release they were already playing it on oldies shows, that's how much appeal it had. It was featured in the kid show "Benny's," and a new line of clothes called "Benny's Thang," featuring snap flies, took off like a prom dress. "Shower me with your sweet love/you know I won't go down until the sun comes up/unless you really beg me to, huh!" Two-cent bands were using it at weddings as the special song for the bride and her mother. "Taste all the love I have to give, sugar/ it can't be wrong if it feels so right, to me. Ow baybay." I was hailed as The Truth, giving new meaning to existence. Spanish people loved me. A lot. Offers flooded in from each of the lower forty-eight. Latin American dictators had my picture in their offices. I gave speeches for $50K a pop, basically reciting the Elizabethan dub/trance version of the song. "Do it, I sayeth, oh Bard... doest thou giveth me thine loveth thang!" with a little theatrical license, if you please. I got every award there was to offer. I oversaw my autobiography and sold twenty million copies and got the Pulitzer Prize an’ such. "Lean on forward now, and let my love come over you/till you're satisfied, I'm never gonna give up on our thang." It had a cathartic yet vulnerable, politically correct, New Age aura that transcended everything. It was published as a single poem and translated into all the languages in the place. The Peace Prize was also a nice touch. Peace, yo, now bend over! And my father, my dad, the factory worker, who threw me out of the house at thirty-three, who called me a bum because I never wanted to study or work, who said I'd never amount to anything... isn't he surprised now! Who's the bum now, dad? Huh? Who's watching who on TV? Huh? Baybay?